紐約Gladstone 藝廊展出的德國畫家Magnus Plessen ,多是留白和顏料的拉鋸, 顏色使用單純,寬大筆觸果決,有時促成所要表現的材質, 像是（見圖Paravent)Plessen 借用筆刷留下精準的筆觸,破碎的圖面拼湊出來的木質屏風, 留下接近五分之ㄧ的空白在右手邊. 碎形裡我找到創作者的條理個性, 似乎隨意, 不加修飾.
Two Apples is Aichen & Tingyu's blog where they share they thoughts and what they've seen in the world, mainly focus on art and design in New York & London.
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